Categories
Plastique Salon Ramblings

A funny thing happened on the way to the Cultural Forum

It didn’t, I  just needed a title I could buzz off. A quick proviso – this may turn into a rant and there is to much history for me to go into too much detail, so you’ll just have to take what I say as read or exaggerated slightly as the case may be – but hopefully you’ll get my point.

Last Night was the first Cultural Forum organised by Bido Lito Magazine – The forum had been called after a number of arts/clubs had been asked by the council to pay full whack rates rather than the 20% discretionary rates which they had received the year before – this situation had been handled badly by the council or their subcontractor and so some organisations were receiving demands for money which they just didn’t have. The forum wasn’t just called for these reasons but also because venues in the city have been hit with  noise abatement orders making it difficult for them to operate

Bido Lito! Hosts CULTURE FORUM – A Public Event Seeking To Ensure Grassroots Creative Culture’s Stake In Liverpool’s Future…   

Have Your Say At This Public Event, featuring LIVERPOOL VISION, LIVERPOOL COUNCIL & GRASSROOTS ORGANISATIONS….

We were asked to read the Sith attached aka the Strategic investment Framework as a prelim to the meeting.  http://www.liverpoolvision.co.uk/City_Centre/Strategic_Investment_Framework.aspx

The forum was very centred on the Rates issue and as I was reminded by Jayne Casey after the meeting that when we used to organise public meetings for the Independent Biennial back in circa 1999, the discussions weren’t about rates but about life, art, philosophy, politics and the artists raged against the system, but we would have 2-300 people turn up. In the short term this led to the start of the Independent District now renamed by Liverpool Vision as the Baltic Triangle.

The forum highlighted gaps in information provision (i.e. communication) 
There was a time when http://artinliverpool.com used to handle information sent via the council but since the site has been handed over to VAIL to run this hasn’t been taking place, no wonder really.  You could rely on Ian and Mina to turn up to events, to help people with useful information as they believed in the power of creativity they weren’t just being paid to do a job. This has led to a loss of service maybe not one that people recognised but a loss all the same. There was even the Arts and culture Network which was  run by the Liverpool Council for Voluntary services which was another place that creatives could go to for information, help advice but the Network closed a number of years ago as funding dried up.

North West Arts Board Liverpool
Artists drop in and support centre

In days of old (as I seemed to start every sentence in the conversation I had with Craig prior to the culture Forum) when I used to run the North west Arts Board office/Arts Council Office (more detail here) there was support of the kind being sought last night – the communication lines were more straight forward. An email to me meant an email out to the wider creative community, a topic of heated conversation and a poster on the window.

Artist Paul Rooney – “I remember using the office for photocopying, and using the computer, when such things were difficult to access, and the library of publications useful to artists applying for funding was a great help. So the available facilities were a strength, as was the opportunity to bump into other city based artists and have a chat, which didn’t happen anywhere else apart from the odd private view.” from Nerve Jan 2013

Back then communication was easier, the lines of communication were long standing and set, but these days when communication is at the touch of a button on your mobile there is no excuse for poor communication but maybe it is the lines of communication that have become  unclear. Will a post to Facebook be OK, a Tweet should suffice – What? No! is that not good enough.

Again it comes back down to a place, a hub, a centre of connectivity – where one message is spread far and wide, where the message sent is trusted.

This loss of networks, hubs, centres of creativity, whatever you want to call them has led to gaps in knowledge of the creative community as to where they can go to seek out information, support, or even a forum to discuss issues which matter to them in their city.

Maybe last year – who can remember but it was between when Ian and Mina stepped down in charge of artinliverpool.com and VAIL taking it up I had a terrible urge to create a website which would attempt to do what they had done before me. I created a site on a test server where I could experiment with it and see if I could get it to work well enough to make it live – it was The Crux a site that got to the heart of the matter, a pivot point – it was to serve the creative community in the way that was very much highlighted last night.  Or in my own way to seek to address the needs from a community I love. Alas The Crux was not meant to be as I dumped it when i heard that artinliverpool.com were starting up again – older and wiser now I should have kept it live and ran with it.

The event for me raised a number of questions

1. Where were the representatives of the larger organisations?
Whoever we think of, they should have been at this meeting, Tate Private View or not – the work will still be on the walls tomorrow at the Tate. You the non attenders were the very people who these mainly young creatives can learn so much and yet you weren’t there to lead the way. Although the chair of the Cool Organisations was there – Julian I think his name was.

2. Where are the present day networks, organisations or groups?
I/we/you used to be able to reach out a hand, walk across a road or download a list of small arts organisations or artists studios in Liverpool – today you can’t do that – instead you search a myriad of websites – how much harder it is these days – no joined up thinking.

3. Planning
This really should have been discussed in more detail – how the city of Liverpool is becoming homogeneous – all cities look the same these days and we should try and address this more fully.

I’ll try and wrap up now.

Check this out as a piece of joined up thinking from years ago http://goo.gl/maps/yB7vD a Google map listing Arts Galleries in Liverpool or this now empty Art in Liverpool Google Calendar  These things are not hard but require some joined up thinking – so check out the Liverpool Digital Events calendar which a group of us keep up to date. None of this is hard but requires working together – conversation.

This does kind of lead me onto another thought, a possibility, a way of getting the creatives to work together better, I believe the phrase is “a more joined up approach” and I believe that is through another Hack4Culture event that this could take place. Hopefully another Hack4Culture event will most probably be taking place in the next couple of months. You can read about the last one here 

There is much left unsaid as I could go on forever, if you feel challenged by anything that I say – then good do be challenged and challenge me back.

Comments are open so FEEDBACK or miss another boat.

Categories
Digital Creative How Why DIY

Edinburgh Festival Listing api now available

My last post about Hack4Culture was prompted by this email I received today from Rohan Gunatillake from Edinburgh Festivals Lab. If anyone is interested in getting involved in the kind of Hacking Culture then let me know as we could build it into the programme for the Hub Space event (funding permitting) as part of Open Source City. 
This is just a quick note to let you know that the Edinburgh Festivals Listings API initiative is live for 2012.  

Please note the following things that you probably want to know:
  • full information at www.festivalslab.com
  • 2012 festivals data currently live include listings from Edinburgh International Film Festival, Edinburgh International Festival and the Edinburgh Festival Fringe
  • data to be added soon from the Royal Edinburgh Military Tattoo, Edinburgh Art Festival, Edinburgh Mela and the Edinburgh International Book Festival
  • Process is as last year, with registration giving access to full listings apart from the Fringe
  • API has dummy Fringe listings and to receive access to fill Fringe listings please email api@festivalslab.com with an outline of what you intend to use it for and they will advise steps required for access
  • Last year’s API tokens/keys still apply 
  • If you have misplaced that information please just re-register using a different email address
  • If you received approval to Fringe data in 2011 and want to revise your app/project for 2012 please still email api@festivalslab.com 
  • If you have any questions about the schema or the API usage itself, please email Joe on technical@festivalslab.com
Categories
Digital Creative

Hack4Culture – the day, the projects, the video

I often rant on about the need for cultural organisations to work closer with creative digital experts and to stop seeing the relationship as purely transactional – “I need a website – I can supply you with one”

Hack4Culture took place in March at the Art and Design Academy organised by Open Labs part of LJMU with assistance from LARC – Liverpool Arts and Regeneration Consortium. The aim of the event was to encourage arts organisations to stop viewing digital in simple terms – as in a simple transaction but to view a digital specialist as someone to work with to listen to to collaborate with on equal terms.

Prior to the event the arts organisations in Liverpool had been asked to submit their cleaned data, for example; attendance figures with postcodes (no names or full addresses) or old events listings, this data was made available to the geeks who had signed up to do the hacking so that they could prepare projects prior to the event. Being able to interrogate the data is quite vital so that you know what can be made form it, design and plan.  So when we gathered on the Saturday a good few people already had solid projects to work upon.

My involvement over the weekend was to lead a workshop entitled “Move Fast and Break Things” while others were busy getting their hands dirty with real data and real projects, but it did allow me the opportunity to help a small arts organisation with some of in my terms very simple problems – setting up a Google account and Facebook page but it was what they needed and we seem to forget at times or at least I do where the starting point is for many people, they may not have a website/blog or even know how to post pictures online.

Here are some of my photo’s from the day. https://www.flickr.com/photos/defnet/with/6807777276/

I think that it is only now that iPads are within reach of the public sector employee that Technology is being taken a bit more seriously and is being sought out as an solution to problems. When it is sought out before a problem arises, that is when you know it has truly arrived.

These two days were nothing like the Ambition seminars of old, this was an open event and to be honest not as many people attended. I was pleased to be joined by Bill Thompson from the BBC Click podcast, it had been a couple of year since I had met him at Brick and Clicks, an Arts Council event in Newcastle. (I have photo somewhere of him and my mate Adrian Slatcher)

In the final line up the awards went to:

Project that best enhances the cultural experience – Young Everyman & Playhouse (A new Buddypress site for the Young Everyman) 
Project that best improves our understanding of cultural audiences – Mycroft Milverton
Project with the most commercial promise – Keep on Moving
Judges selection (Immediate Impact) – Art in Liverpool (website redesign)
Judges selection (Improvement over the Event) – UCA
Project demonstrating the most interesting mashup of data – Zarino (Table 4)
Project that best pushes the boundaries – Hicks for Culture
Chief Geek – Dave Borrows (Damibu)  (Very cool image recognition software forget QR codes this uses real images) 
Loquacious Tweeter – Sunil Manghani
Workshop – Neil Morrin

Culture Code a similar event took place recently in Newcastle and @Documentally was on hand to capture it.

So all over the world, from Scotland to Austin – people are gathered together humped over keyboards of expensive looking apple Macs each in their own way trying to improve the ways that we interact with culture. It is our culture and yet we find it hard to get close to it, to be intimate with it, to feel it in our hands like the alcohol wash we use to rid our hands of germs. We feel it cold and damp in our hands but only fleetingly Hack4Culture along with other projects aim to make access to culture seamless. 

It is vitally important that our arts organisations and cultural institutions look at new ways of opening up their data vaults and making access to the arts easier and engagement higher – there is still more to be done and we should roll this event out again and again.

If you are interested in getting involved in similar events then check out How Why DIY and also NHS Hack Day

Categories
Ramblings Uncategorized

Monday, Tuesday, Hacky Days

Culture Hacking has never looked so good.

I have been watching the work of the Edinburgh Festivals innovation lab over the past few months with an enourmous amount of envy. They have been doing some fantastic work and it would be great to find a way of starting a Cultural Innovation lab project here in Liverpool.